Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of
Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled
A History of European Literature: The West and the World from Antiquity to the Present.

Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including
Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984),
The Stage and Social Struggle (1994),
Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997),
Theater of a City: The Places of London Comedy 1598–1642 (2007), and
Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of
Being and Having in Shakespeare;
Inwardness and Theater in the English Renaissance; and
Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of
English Renaissance Drama: A Norton Anthology,
The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for
Inwardness and Theater.

EAN: 9780393929911